Showing posts with label matador jacket. Show all posts
Showing posts with label matador jacket. Show all posts

Tuesday, December 8, 2009

Matador Jacket Completed and Photographed

Matador Jacket (Traje de Luces or Suit of Light) photographed by George Young today.














 Detail of piece

Sunday, November 22, 2009

Matador Jacket Completed




















Yesterday I picked up the completed matador jacket from the framers. They did a great job attaching the wire piece to the black matting. After seeing the piece in the frame I though I needed a few more gold elements to tie the piece visually to the gold frame. Here is the piece with the added gold elements. I will hopefully have a professional photographer take a picture of it before I deliver it to Armando.

Media: wire, produce netting, Filipino rice flour bags, organza, Mexican food packaging labels and beads.























This is the first piece in which I started using a drill to twist wire with. It has taken me four years to complete as I have been working on it off and on. Lesson learned: Make a hard and fast deadline or all my other projects will push the one without a deadline aside. I learned a lot on this piece and applied techniques to 0ther projects.

This piece was also what let me to meeting my friend, Charlotte Kruk, an artist who uses food wrappers in her work as well. She was working on a matador outfit when I met her years ago and I was beginning this piece. Time flies!

Sunday, November 1, 2009

Matador Jacket Almost Completed

I have been working on this matador jacket, Traje de Luces, for quite a while now. I hope to have it to the framers this week. It is made of twisted silver wire, silver plated wire, crystals, Filipino noodle bags, organza silk, red onion bags, as well as packaging graphics from Mexican rice bags, tortillas bags and cacahuetes Japones (Japanese Iso peanut snacks from Mexico). My family is getting to enjoy more Mexican foods than usual now as I have bought a bunch of foods for their packaging at a Mexican market.

I started this version of this jacket by creating flat pattern templates in Illustrator. I printed them out to scale and taped the paper jacket together to make sure it worked. I then worked the twisted wire to form the outlines of each patten piece shape.

The final display will be against black felt rather than this purple/blue.























When I first started working on this piece (for a Latino artist friend who loves the pageantry of bullfighting), I wanted to incorporate elements of different cultures. Despite the controversy surrounding bullfighting, it does draw international fans and matador aspirants from diverse countries such as Japan and China. I lived in Spain for a while, (Salamanca) and recall the dramatic bullfighting ring and posters announcing events.

There was a Japanese man, Atsuhiro Shimoyama, who was called Nino del Sol Nacientero (Son of the Rising Sun) who tried to be a bullfighter in Spain. His is an interesting story. Anyway, as a nod to him, I included Mexican/Japanese food packaging and the coloring of the piece (red for the rising sun).

In the Philippines there is bullfighting as well, but it is fighting between bulls and not with people. The backing to this matador jacket is made of a Filipino noodle flour bag overlayed with organza.
Detail images:

Thursday, May 7, 2009

Matador Jacket

I have been working on a wire matador jacket for (I am embarrassed to say) maybe four years now. It is one of those projects that I just haven't seemed able to complete. But now I am so close to finishing it and I am happy for all that I learned in the long journey to make it. The saga of this has led me to using a different technique for twisting my wire. I now use a drill. I was in a jewelery maker critique group that really encouraged me to start using this method. There was also a precursor to this piece and here it is below.
FIRST ATTEMPT. This was set aside and saved only for reference.



















Sometimes, no matter how hard you rework a piece you need to set it aside and just start over. That is what I did with this project. I took a deep breath and started over. Good lesson there. Sometimes something I give up on is so amazingly frustrating and horrible that I just need to save it to show my students how we all need to start over sometimes. I haven't been able to show this lesson yet as I haven't completed my second attempt yet! But I am looking forward to making the comparison as I feel the second attempt is much better.

SECOND ATTEMPT in progress. In this piece the view is from the back of the jacket. All the wire is twisted with a drill. The proportions and form are more accurate.


















In the process of researching Traje de Luces (suit of lights) I met my friend Charlotte Kruk who was also making a matador jacket. In addition to the jacket, she made a cape, hat and pants...all from from M&M wrappers. You can see her jacket here:
http://artshiftsanjose.com/?p=10

Detail of my matador jacket:

































































































Above: beads I will incorporate into the piece.


This jacket's owner has been patiently waiting for its completion. He is an amazing hair and make up artist who created the looks for the de Young Museum fashion show reception I had in December 2008. You can see some of the hair and make up he created for this event here: http://www.flickr.com/photos/loriphotocom/sets/72157611429758897/?page=2
His name is Armando and here is his site, Get Your Do Up:
http://www.getyourdoup.com/























Above and below: Some shots I took of Armando working on a fashion shot in photographer George R. Young's studio last Fall. Model is the lovely artist Stacie Tamaki. http://www.stacietamaki.com/
























Below: Hair design Armando created for fashion shoot.
























The final images were used in postcards for the de Young Museum. Note: the hat band was redesign after this shoot as I realized it was hurting Stacie's forehead. I created a much better design and am glad I did as now my hats can be worn by dancers as well. Stacie was so patient to sit for hours and hour. She and Armando arrived at my house to create hair and make up before 6:00 am. The photo shoot ended at noon. They were amazing! I hope to complete Armando's jacket in the next month. It will need a bit more wirework, the beads added and a black velvet backed frame, I think.