Second Water Tapestry for San Jose Quilt Museum

Above: wire work and painter's tape making where mesh will go.

I have completed the rough background for the second water themed banners. This one uses blue mesh donated from Walker Bags of San Francisco and some recycled blue plastic bags. These four large tapestries will be part of a visitor participatory project and semi permanent installation for the San Jose Museum of Quilts and Textiles. The visitor component will happen during the Sub Zero Festival in Downtown San Jose on June 5th (6pm to midnight).

Below: Tape marking off areas to add mesh to. Illustrator file print out of design.
























Below: I have begun hand sewing the mesh on with fishing line. I am not using thread as it would rot and be more fragile for this exterior banner project. I keep making the mistake of putting the needle and fishing thread in my mouth as I normally do in hand stitching...mistake. The fishing line is treated with something that irritates my mouth (a numbing agent for fish?..I have no idea). Anyway, that combined with my now pretty blistered hands from intensive wire work make me think, wow, this is what we mean suffering for our art!























The blue plastic trash bags are stitched on from the back.

Water Tapestry Banners

I have begun the first of the water tapestry banners for the San Jose Museum of Quilts and Textiles.
Below: wire frame built upon a black foam core support.























The pattern is modified off of a Japanese kimono print and it reminded me of water undulating.
Each banner will be around 7ft x 3ft x 5" deep. Here is the first one started. I hope I don't run out of wire. This stuff is expensive now and I double it up by twisting it with a drill. I will be covering some areas with colored mesh donated by Walker Bag of San Francisco. Most of the detail elements of the diatoms will be created and added by visitors to the Sub Zero Festival. I will be creating some larger elements that light up and one will remove as a hat for the butoh dancer.

Mesh in process of being added. Note the blue painter's tape outline I am using. The tape enables me to transfer the design to the grid on the foam core for each particular banner. I then take the tape off and reapply the tape to create the next banner's mesh pattern. This way I can use the same foam core for all banners.























Below: Banner removed from black foam core and temporarily attached to T stand. The color is not as vibrant off of the foam core, but I am hoping when it is suspended in front of the tinted windows of the museum the mesh will appear as vibrant as it did on the foam core. I am hoping we can hang them a few inches away from the glass to highlight the airy nature of the grid. I also hope people don't mess with it! This is the first time I have created exterior public art and I just hope no one is tempted to test how flexible the wire is. I kind of wish these could hang above arm reach and then I wouldn't worry.























I am approaching this as both a design challenge (keep the and labor and material costs down as much as possible) and as a learning ground on how to outreach for a public art project in a very short period of time. I have started contacting four schools soliciting donations of colored grocery bags and I will provided them with info regarding the water exhibit at the museum, the Sub Zero Festival and the "impaired" status of our Coyote Creek and Guadalupe River. The cost of this project is really is in the labor of the banners and the materials prep. I am doing this project really for the experience of an outdoor public art display. I have only created interior public art before and this will be a good test for me.

Detail of prelim sketch on black foam core:























Below: Mesh donated by Walker Bag of San Francisco. I have been fortunate enough to have benefited from the generosity of several businesses in the past and have stored up on some pretty special materials that I have be able to use for public art.




















Some of this mesh was used at De Anza College for the construction fence around the site of the new Visual and Performing Arts Center.
http://www.deanza.edu/euphrat/collaborations.html


























Above: Diatom test for visitor participatory component of banners. Visitors will decorate these cut off bottoms of plastic bottles with permanent markers. They will decorate them to look like diatoms. I have a large collection of these plastic bottles collected from a Guadalupe River clean up last weekend and from a Walk-a-Thon from Stevens Creek Elementary School in Cupertino. I have contacted a high school in Cupertino through its art department and they have agreed to collect plastic bags. I have also contacted an elementary school in Alum Rock and will be soon contacting a high school in Alum Rock regarding this project.

Butterfly Tapestry

Here are in progress images of my butterfly tapestry. There are two hair ornaments that come off of this one. The center of the wire flowers are mini shoyu bottle caps. The paper butterflies are recycled postcard and print materials from the de Young Museum. The butterfly pattern is inspired by a Japanese textile in their online image collection.


























































































Cardboard sketch and the beginning of wire work.




















Mesh being added. This mesh is remnant mesh from Walker Bag of San Francisco.

























































Below, one of two large hair ornaments that come off of the tapestry.